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text, source language and target language.

still unstable and intermittent problems, with a high probability of occurrence.

We’ve made some corrections. Please tell me, are you still having problems with your text?

Hello! Thank you for letting us know. We are working on this issue. We will find a solution as soon as possible

I still seem to have intermittent symptoms.

Thanks a lot, it does work now, I just upgraded my plan to Ultra. I found now that the deepl api that can be used here seems to be only you, support you!

We’ve corrected the problem. Try translating your text again.

Thanks for the reply, I did set the wait time per request in practice (5 seconds), I encountered this problem today, the business has been paused, and I’m currently testing locally, with less than 1 request a second, and it’s still the same problem.

content1 = ‘’‘
Hello and welcome. I am Lee Unkrich, the director of Coco.
I’m Adrian Molina, I’m the co-director and the screenwriter on Coco.
And I am Darla K. Anderson, the producer of Coco.
UNKRICH: Really early on, we thought it would be fun
to do a mariachi version of the Disney castle logo.
We did it just for fun while we were making the movie,
and then we ended up loving it so much, we decided to keep it in the film.
MOLINA: Everyone really loved it. It stayed in.
UNKRICH: It’s sticking, yeah. MOLINA: The whole time.
ANDERSON: I remember the first time it came on,
people were so excited about it,
and it really set the tone for our movie.
UNKRICH: We tried starting the movie lots of different ways, right?
We had a version where we started in an old de la Cruz movie,
and then we finally revealed Miguel watching it.
MOLINA: We had one that was a big musical number,
that turned out to be this giant stage show where de la Cruz was performing.
UNKRICH: And they were all fun openings,
but in every case, we felt like it was taking too long to meet Miguel.
And we also found that by learning as much
about Miguel’s family history right at the top of the movie,
it kind of set the table well for the story ahead.
We ended up telling that story kind of through this 2D papel picado animation,
which was an idea we had very early on.
And it took us a while to figure out just kind of the right place to use it,
but I’m glad it ended up in the film
because we always thought it would be clever.
It was also helpful to us from a storytelling standpoint.
MOLINA: Yeah. We needed to hide the identity
of this guy who left the family,
and this became a really good way
to give it that feeling of a kid who heard the story,
but never actually knew who this person was.
So that became really helpful for hiding different secrets
that get revealed over the course of the film.
ANDERSON: These gorgeous paper banners
are called "papel picado,"
which I believe literally means "paper with holes cut in it."
You see them everywhere down in Mexico.
We saw that a lot on our travels.
UNKRICH: And, in an earlier version of the story,
we actually had a song in the middle of the film
where Mama Imelda was talking about her sad story
of being left by her husband,
and for the same reasons Adrian just discussed, we thought,
"Oh, that would be perfect to do it through papel picado,
"cause then we can disguise his true identity."
We ended up cutting that, and we were all really bummed
because we thought it was such a cool idea.
So, when we then realized that we needed to open the film differently,
we resurrected the idea and brought it to its fruition.
We put together a great, tight little team of folks to…
They just kind of splintered off and did that project,
’’'
url = "https://deepl-translator.p.rapidapi.com/translate"
payload = {
“text”: content1,
“source”: “EN”,
“target”: “ZH”
}
headers = {
“content-type”: “application/json”,
“X-RapidAPI-Key”: “********”,
“X-RapidAPI-Host”: “deepl-translator.p.rapidapi.com”
}
response = requests.post(url, json=payload, headers=headers)
print(response.json())

{‘text’: ‘\n大家好，欢迎来到这里。我是《可可》的导演李-昂克里奇\n我是阿德里安-莫利纳 《可可》的联合导演和编剧\n我是《可可》的制片人达拉-K-安德森（Darla K. Anderson）。\n很早的时候 我们就想\n把迪士尼城堡的标志做成玛利亚奇乐队的版本\n我们只是在拍电影的时候觉得好玩才这么做的、\n最后我们非常喜欢，决定把它保留在电影里。\n大家都非常喜欢。它被保留了下来。\n是的，它一直都在。一直都是\n我记得它第一次出现的时候\n大家都很兴奋\n为我们的电影定下了基调\n我们尝试过很多不同的方式来开始这部电影，对吧？\n我们有一个版本是从德拉克鲁兹的老电影开始的\n然后我们最后揭示了米格尔在看这部电影。\n还有一个版本是大型音乐剧\n后来变成了一个巨大的舞台表演 德拉克鲁兹在那里表演\n这些都是有趣的开场、\n但每次我们都觉得和米格尔见面的时间太长了。\n我们还发现\n在电影开头就尽可能多地了解米格尔的家族史\n就为接下来的故事做好了铺垫。\n我们最终通过二维纸上动画来讲述这个故事、\n这是我们很早就有的想法。\n我们花了很长时间才想出用在什么地方比较合适、\n但我很高兴它最终出现在了影片中\n因为我们一直觉得这很聪明\n这是’, ‘alternative_texts’: []}

Okay. We see the problem. Let’s see if we can fix it.